the aughts was that period of time when i truly refined my individuality - especially when it came to music. for the better part of this decade, i experimented in many different kinds of music, and though it was a daunting and slow process, i came to realize the kinds of music i truly enjoyed. the latter half of the decade i spent refining my tastes, delving into the slightly obscure but not too deep as to come off as a fanboy. nevertheless, i present to you my 50 favourite records of the aughts.
50. Porcupine Tree
Deadwing
[2005]
Porcupine Tree push the envelope with their most progressive effort in this new millennium - composing intricate suites with songs that are melodic and entrancing, i.e. the piano-driven Lazarus. opener Deadwing is Porcupine Tree's most ferocious track and it shreds with layers of sound that leave the listeners breathless.
49. Coldplay
Viva La Vida or Death and All His Friends
[2008]
the band had always been labeled as boring, but with Viva La Vida, the band's sound palette is widen and their experimentation yields an interesting listen, albeit a little less accessible. whether this is the band's Kid A is still up in the air for debate, but for a band that is known for their trite and sappy songs, their approach to new music making is rewarding.
48. Kashiwa Daisuke
Program Music I[2007]
this is music micromanaged in an intricate miniscule scale. every sample, blip, and sound collage is stitched together in a beautiful montage of sound that will delight and intrigue. despite all the digital manipulation, Kashiwa Daisuke manages to make a very natural sounding record - like an orchestra of glitches and nature.
47. Kamelot
The Black Halo
[2005]
in a nutshell, the Black Halo is dramatic and a tad overblown. but the music is crafted wonderfully and it tells the tale of love and betrayal. Roy Khan has the best vocals for the job and his bandmates deliver an astounding job of making the songs sound majestic and larger than life. literally.
46. Opeth
Blackwater Park
[2000]
regarded as the band's magnum opus - and definitely one of the decade's best progressive death metal record. beauty is juxtaposed with the ugly, Blackwater Park has Opeth's most intricate moments of melancholy, and also brutal passages of complex progressive tracks, courtesy of Porcupine Tree's Steven Wilson.
45. MastodonCrack the Skye
[2008]
for some reason i could never get into Leviathan or Blood Mountain. and for some reason, Crack the Skye really showed the band's prowess for progressive psychedelic metal for me. i chose CTS over the other two merely because the tracks have more focus and variety, but they still retain their progressiveness and brutality.
44. M.I.A.
Kala
[2007]
influential at its own merits, but Kala is no doubt a fun listen all the way through. moments of awesomeness ooze from the record, from the bass friendly Bamboo Banga, the retro hindi sampling of Jimmy, and the ultimate Paper Planes. it leaves a strong impression and it makes you want to revisit it over and over again.
43. ALI PROJECT
Erotic and Heretic
[2002]
the band makes wonderful use of Middle Eastern musical influences, adding some beatific dance beats and melodrama to make a catchy progressive dance pop record. the record has exotic beats and sounds that not only intrigues, but is catchy as well.
42. Muse
Absolution
[2003]
for me, this is the perfect Muse record - it is progressive, heavy, apocalyptic, sensuous, intimate, and dark. tracks like Butterflies and Hurricanes exhibit Muse's artistic merits for crafting progressive rock tunes while still maintaining their accessibility, and Falling Away With You is a the band's most intimate and beautifully written song. the tracks are dynamic and are tied together tightly in an apocalyptic sound that is real and doesn't come off as gimmicky.
41. Mutyumu
Il y a
[2008]
i admit that i haven't heard anything as crazy as Il y a up to today. this record left a huge impression in me for its brutal usage of black metal sounds that is wrapped together with the beauty of operatic vocals and music composition as dense as the best post-rock record. the blend of musical styles is enough to impress, but the execution leaves you breathless and speechless, gasping for air in all the tension and density of the wall of sound.